TCC 40. Who Is Music For? - Professor Roshanne Etezady


This episode of the Theorist Composer Collaboration podcast features Professor of Composition Roshanne Etezady. Music theorist Aaron D’Zurilla talks with Professor Etezady about her background, journey to professorship, evolution of her compositional work, today’s graduate students and much more!
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Aaron D'Zurilla
Theorist/TCC Founder
He/Him
Aaron D'Zurilla is the primary host and founder of the Theorist Composer Collaboration. With diverse research interests in both modern classical composition and rap, Aaron has presented work at the 2025 Indiana University Symposium of Research in Music, with a paper titled: “Guess Who’s Back: Narrative Subversions in The Death of Slim Shady (Coup De Grâce)". In a currently forthcoming presentation, Aaron will also present at the 2025 Analytical Approaches to World Musics Symposium on the Music Theories, Histories, Analysis, and the Musical Cultures of Asia, with a paper titled: "International and Personal Tragedy in "A Vietnamese Mother’s Letter to Nixon" (2023)". Aaron also has a forthcoming publication through SMT-Pod, titled: "Trauma and Vocal Timbre in Ellen Reid’s p r i s m (2019)"
Aaron holds a Bachelor's of Music in Music Theory from the University of Florida and a Master's of Music in Music Theory from Florida State University.
Contact:
acdzurilla@yahoo.com
941-773-1394

Professor Roshanne Etezady
Composer
She/Her
Roshanne Etezady‘s music has been described in Fanfare magazine as “fresh, effusive, and immediately likable,” and she has been hailed by the Detroit Free Press as “a promising and confident composer.” Her music ranges from clever and colorful to sublimely subdued; it combines lyricism with rhythmic intensity and engages performers and audiences alike.
Etezady’s works have been commissioned by ensembles and organizations including the "President's Own” United States Marine Band, the United States Military Band at West Point, the Albany Symphony, the North American Saxophone Alliance, Eighth Blackbird, Music at the Anthology, and the PRISM Saxophone Quartet. Etezady’s music has earned recognition from the American Academy of Arts and Letters, the Korean Society of 21st Century Music, the Jacob K. Javits Foundation, Meet the Composer, and ASCAP. She is currently Assistant Professor of Composition at the University of Michigan School of Music, Theatre & Dance.
Email: roshanne.etezady@gmail.com